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Dance Star Matthew Ball on Demanding Parts and Online Attention: 'I Don't Feel Protective About My Body'

Within the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is naturally upright, his limbs muscular beneath a plain white T-shirt. On stage, dancers can seem as mighty gods, yet often in person they are small. This is not true for Ball, whose height is part of his demand for heroic characters and partnering. Possessing fine features and piercing eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he graduated straight into the troupe and was promoted each year, attaining the top rank of lead dancer in 2018. He has relished tackling substantial characters, especially the psychological turmoil found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming featured role is in a talk, in an "Evening With" series designed to offer behind-the-scenes insights into a dancer's craft. He will guide the audience through a part, showing his cognitive process during performance. Yet in lighter works, the test is significant. "Don Quixote is one of the toughest technically," he states.

The Psychological Struggle and After the Show Feelings

What about following a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel self-conscious afterwards. After Mayerling I'm always thinking: God, what must people think?"

Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."

Early Motivations and Artistic Inspirations

His determination stemmed from youthful setbacks. Not doing well in contests at school made him "vengeful!" It was motivation to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming endeavor is creating his own choreography. For Ball, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from literature, music, and painting.

Close-Up Dance and Private Partnership

He also favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a previous experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not typically matched on stage at their main theater, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest cheerleader."

On Social Media and Bodily Perception

On Instagram, fans can see clips from his dance films and images that showcase a athletic form. Does he care that the response can be somewhat objectifying? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—something that can be seen on multiple levels.

Ball characterizes his early self as "desperate for success." Has it lived up to his hopes? "I feel very aware of how reality is a separate thing to the dreams you made as a child," he reflects. He probably has about ten years of dancing left. "I suppose in the time to come, I want to be a bit more kind with myself."

The writer

Kristine Jackson

A seasoned gambling analyst with over a decade of experience in the UK betting industry, focusing on trends and player safety.

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